© 2011 Marla McLean
Intent. Studio work has so much of this, in so many forms. There is poetic languages and memories made and found that offer new possibilities through creating, however, behind it all is intent. For my Kindergarten students working on planning, designing and sewing/constructing a costume, the intent is to develop skills and ability to sew/construct with independence. They are each making a Collection Pouch. This is a really hard thing to do. One has to: sew on the “wrong side”, create a seam, stay along an edge, travel in one direction, avoid pins that hold it all together, not sew the pocket together. Many jokes and dramatic exclamations were a part of lightly getting pricked by the needle or pins. Deep concentration plus a sense of humor was needed for this part of the project. “Ouch, I got hurt again!” “OOOOOOOHHHH NOOOOOOOOOO! I am pricked!” “When you sew you get hurt, there is blood and it spurts!! and then it hurts and the you blurt and murt!” Lots of laughter, repeat, laughter, repeat… Intentionally, children are seated knee to knee on the floor. Pins and needles fall easily and children need to share their mistakes and strategies in sewing the pouches in a communal way. I am also seated knee to knee to provoke the habit of mind of “engaging and persisting” as opposed to allowing frustration to happen to the extent of shut down. I can see who gets it and can ask them to support a friend when necessary. When you teach someone else how do do something, the act becomes much more intentional. I observe and listen as helping children begin helping another. “Like THIS!” when that doesn’t work, they become more specific. “So, you have to poke the needle down and then flip it over, SEE?” (Carrington) As expected, this project was new and hard for everyone. It was time consuming. Stitches sometimes had to be pulled out. There wasn’t any freetime with this part of the project and everyone worked at different speeds and abilities. This project is not only intentionally planned to prepare them for their costume, but also to develop “grit.” What is “grit?” Although this field of study is only a few years old, it’s already made important progress toward identifying the mental traits that allow some people to accomplish their goals, while others struggle and quit. Grit, it turns out, is an essential (and often overlooked) component of success. “I’d bet that there isn’t a single highly successful person who hasn’t depended on grit,” says Angela Duckworth, a psychologist at the University of Pennsylvania who helped pioneer the study of grit. “Nobody is talented enough to not have to work hard, and that’s what grit allows you to do.” From the article, The Truth about Grit by Jonah Lehrer From sewing seams came turning the pouch right side out. While this may seem intuitive for an adult, it was a stretch for the kids. The studio has a bad word that is not allowed…”can’t.” So when I started hearing a lot of I can’ts, I gave the kids replacement statements again. This is tricky. This is frustrating. I’m confused. I need help. This is part of the intentional work in the studio. Working through the hard parts, engaging, persisting, developing grit. I was surprised to learn that measuring the strap to fit the body and sewing on the strap would be so challenging. (This is my first time doing work like this with the children.) Many of the children struggled with: holding the pouch open side up, holding the strap where they wanted to have it pinned, sewing the strap on the wrong side, sewing the strap to the pouch with out closing the pocket. It was often hard to scaffold the children through this part instead of doing it for them. Many times when children asked for help I asked them questions like, “If I pin the pouch the way you are holding it, how will you put your collection inside?” If they were unable to figure out to rotate the pouch so the opening was on top, I would ask them to look at a friend’s. If that didn’t help, I asked the friend to help. Intentionally setting up problem solving and collaborative support means the adult not “fixing” the problem. There was a slight break in challenging work, when they got to draw whatever image they wanted on the from of their collection pouch. But first, it had to be flipped right side out again. Ahhhh, the sweet sensation of seeing the fruits of their labors. “My mom is taking stiching class, and I can do it!” “Don’t tell our parents, we want to surprise them!” “Is it mine? Can I take it home?” The Collection Pouches are not done yet. I want the children to learn how to attach materials to their sewn pouch. Certainly they will need to know how to do this for the costume construction. The third part of the collection pouch is sewing on beautiful and interesting stuff that has holes (or making holes in stuff to sew on) as well as gluing on. Once again there is a lot of mechanical, spatial, and technical hurdles to overcome. The pouch is now right side out. The needle starts from the inside of the pouch and can only go through the front. This is a lot of managing of materials. Sewing incorporates a lot of mathematical thinking too. However, this part allows for personal expression, so engagement was even higher. Only one group has started this phase of the project as of this post. The strategies and gusto with which they approached this challenge was far more independent and self-assured then their first interaction with the project. Stephen’s Collection Pouch Luke’s Collection Pouch As children progressively move through this third stage of the project, they see what their peers have done. I usually see that the children in the later groups look at the first pouches and then build upon their models-changing and morphing possibilities. In these three sessions I have seen a huge development in mathematical and spatial thinking. Huge gains have been made in persisting through the hard parts. Grit is being developed. My questions are: Will grit transfer to the costume making-which will be hard in a different way? Will grit transfer to classroom challenges in diverse domains such as writing? Can you lose the development of grit if you are not in an environment where it is an intentional value? My hope, is that the moment of perseverance transformed into invention, creation or discovery is too powerful to disappear, in any situation. It is why I continue to read, research and develop strategies with the children. I’m a believer in grit. Where, when, how and why did you develop your grit? Who do you attribute to supporting you develop this trait? (Boston Museum of Fine Arts) Here is the entire article: The Truth About Grit, By Jonah Lehrner I would love to hear your thoughts and comments!
17 Oct This entry was written by Marla McLean, posted on October 17, 2011 at 12:20 pm, filed under Uncategorized and tagged atelier, collection, constructing, Creativity, grit, Marla McLean atelierista, perseverance, reggio inspired, sewing, sws, thinking, young children. Bookmark the permalink. Follow any comments here with the RSS feed for this post. Post a comment or leave a trackback: Trackback URL.
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